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I recently found out about this creepy practice that apparently accounts for a crapload of the policies sold in the states. I haven't seen the new Michael Moore film "Capitalism, a love story", but apparently there's a bit in the film about this as well. Just when you think that corporate greed can't sink any lower, here's a practice whereby companies insure their rank and file (sometimes without their knowing) and collect cash upon their death, which they keep and don't pass on to the family of the deceased. We're not talking top execs either, they also refer to this as "Janitor's Insurance".
I just bought something off ebay that figured heavily in my teenage years. A BCB-6. Now I plan to fill it! Gotta love nostalgia!
They turned out to be Boss Guitar pedals. I would later collect these things like candy in the mid eighties once I found out what they actually did. Not everyone used them. Danny was running his guitar straight into a Marshal Stack (this guitar amp head/speaker combination would be coveted by many of my friends but never me. You still see WALLS of them at concerts). The Marshal had 2 or 3 channels and could be set to sound clean, or "dirty" using the Marshal's built-in preamp to overdrive the signal giving you that great distortion sound. A simple footswitch would let you toggle between the channels. What Donny (the guy with the pedals) had was a big amp which he'd set for a clean sound, and he'd run his pedal board into it and he'd step on this Orange "DISTORTION" pedal to change the sound from clean to JIMI HENDRIX AT WOODSTOCK. 


Over the years I switched pedals in and out. I met a professional musician, Bob Clairmont, who told me the best pedal to have was a compressor sustainer. This thing, the CE-3, compresses high input signals and boosts low input signals to produce sustain. It also evens out attack so that if you strum hard, it cuts it down and if you strum low, it gives it a bit of a boost. It's helpful for clean comp playing but can make for a hissy sound if used improperly.
I bought a second-hand noise gate once, just because 1. I read that Stuart Adamson of Big Country used one, I had no idea what it did, and 2. It was cheap, $40 and it would fill the last spot I had in the case!! Muhahahahaha. When I did find 0out what it did I was glad I bought it. What it did was completely shut off the signal when you muted the stings and made your amp deadly silent. I tried it out on our cat once, who was curled up in front of my amp one day. I turned on my pedalboard, ran my hand over all the dials on the amp so that they were all on 10, shucked down the guitar volume, stepped on the distortion pedal, muted the strings,rolled the volume up and windmilled a power chord. What happened next was worth the price of the pedal! Muhahahahaha!